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Homosexual amateur Asian couples star in homemade tapes at xHamster. Censorship is a sensitive topic. I have tried my best. Please feel free to comment and critique. History of Korean BL is one of censorship and commercialization and Korean fu-people has struggled against both.

There have been different victors at different points in time. Highly recommended. I have tried to problematize BL commercialization before. But that was in the context of fu-culture and the commodity fetishism associated with the consumption of BL, particularly in live action form which is probably its most capitalist rendition for many many reasons.

Here I would like to look at it from another angle: censorship. This is a continuation of my earlier post Why so many shonen ai live-action? Almost all BL adaptation is a censored adaptation, with notable exceptions like Sei no Gekiyaku. Sukiyanen Kedo Do Yaro ka went as far as removing the more sexual second couple from the live action adaptation all together, yet it does not get a "censored" tag.

If the producer of one of the two most popular live action BL is admitting to it, then it is not easy to dismiss the issue of commercial viability of live action BL. Very famous BL publishing houses starting with JUNE and hosting platforms with relatively lower expenses have struggled. Some of them are no more. It is also difficult for authors to survive merely on earnings from publishing houses and hosting platforms, especially when those platforms are not very rich.

So, it is not difficult to imagine that live action production houses also struggle to survive. They are probably one of the most successful BL producers. According to their managing director , BL content series is not a profitable business in itself. They rely on khujin branded pairs of actors to bring in advertisement revenue, merchandize sales, and pull crowds to concerts and fan-meets. It is not enough for actors to just act.

They are expected to sing, dance and perform. Meanwhile, GMMTV is forced to keep working with these actor pairs and stick to templates that suit them. While it works for now, it remains to be seen how long the business model can last. Now there is also investment from Mainland China that has migrated to other BL producers following dangai ban. But those who invest already burned themselves pretty bad with all the money they poured in during the short-lived but explosive dangai boom.

It is sunk cost at this point. Another crack down could be the death knell for Chinese investments in BL. More generally , it is likely that commercial viability of a live action BL project hinges on the following:. Like all other BL content, live action too is primarily targeted at fu -people BL audience — both queer and non-queer. The target demography is further sub-divided based on the type of BL and purchasing power.

Most of Japanese BL series are sweet. Korea too produces sweet BL.